On Sunday, April 6, 2008, a recital of Houghton
works took place in Mixon Hall, the beautiful new performance space
at the Cleveland Institute of
Music.
The event, entitled "Music of Monica Houghton, OMTA
Composer of the Year," included the WORLD PREMIERES of "Here on
Earth" for clarinet, violin, cello and piano; and "In Singing
Weather," the complete song cycle based on poetry of Maggie
Anderson; along with the CLEVELAND PREMIERES of "Corpo Sonoro," the
OMTA Composer of the Year commissioned work; and "Close (Far)" for
horn, violin, 'cello, piano and percussion; plus a second
performance of "Blue Shuffle" for solo guitar. Performing were CIM
faculty members Matthew Bassett, percussion; Don Better, guitar;
Eric Charnofsky, piano; Linda Jones, piano; and Richard King, horn;
along with guest artists Lindsay Wile Charnofsky, clarinet; Andrea
Chenoweth, soprano; Amber Dimoff, violin, Halida Dinova, piano;
Leah Goor ,violin; Julie King, 'cello; and Thiago Tiberio, reciter
and conductor. For an online review of the concert visit the
following address, scroll down to the end until you reach "Sunday
in the Arts at CIM 4/6" and click on "more from Kelly Ferjutz"
http://www.coolcleveland.com/index.php?n=Main.Passionate#Sunday
The Cleveland Chamber Symphony presented the WORLD
PREMIERE of "Osa Sinfonia," a new work composed especially for this
ensemble, on March 30, 2008, at Baldwin-Wallace College, Berea,
Ohio. In his review for the Plain Dealer Donald Rosenberg comments,
" Houghton writes with spare skill, her ear especially keen on
ethereal sonorities." To read the entire review of the concert
visit
http://www.cleveland.com/entertainment/plaindealer/don_rosenberg/index.ssf?/base/entertainment-0/1207038776146640.xml&coll=2
Ms. Houghton is to be awarded a Composer Assistance
Grant from the American Music Center in support of this
performance.
On Saturday, March 29, 2008, the baritone Patrick
Mason performed one of Monica's Whitman settings: a song entitled,
"I Dreamed in a Dream," in recital with pianist Mitsumi Moteki, at
Ludwig Recital Hall, Kent State University.
Pianist Tuyen Tonnu presented the CLEVELAND
PREMIERE of "In the Dunes," in a program of music by members of the
Cleveland Composers Guild on February 24, 2008, at Pilgrim
Congregational Church, in Cleveland, Ohio. On February 12, 2008,
she performed the same work at Illinois State University.
In December, Monica participated in the Opera
America Symposium, "Pathways to a Premiere" in Syracuse, New York.
She is now in the process of planning a self-produced run-through
of her opera, The Big Bonanza.
Pianist Halida Dinova presented the
WORLD PREMIERE of "Corpo Sonoro" (based on poetry of Maria Davico)
in fulfillment of the Ohio Music Teachers Association "Composer of
the Year for 2007" commission on November 16, 2007, at the Columbus
Airport Marriott Hotel, in Columbus, Ohio. Sonia Brookhart, of
Cincinnati read each poem aloud in Portugese in turn between the
pieces, creating, together with Halida, a magical effect.
Soprano Andrea Chenoweth and pianist Eric
Charnofsky presented the world premieres of "Whalefall" (based on a
poem by Elizabeth
Bradfield) and "Calypso" ( a selection from the song cycle "In
Singing Weather" based on the poetry of Maggie Anderson) on
September 23, 2007 at Drinko Hall, on the campus of Cleveland State
University, in a concert sponsored by the Cleveland Composers
Guild. Both performers were outstanding--one listener was moved to
tears, while another said simply, "beautiful!".
View a recent online interview with Monica at
http://coolcleveland.com/index.php?n=Main.InterviewMonicaHoughton?action=print
On May 14, 2007, the first performance of the final
scene from The Big Bonanza took place
in Finney Chapel at Oberlin College. The performance featured tenor
Samuel Read Levine in the role of Mark Twain, soprano Jenna Hall as
Caroline, and baritone Kevin Ray as Dan DeQuille, with Alan
Montgomery at the piano. Jonathon Field directed.
"Sky Signs" was premiered by The Cleveland Duo and
James Umble, who commissioned the work, on April 29, 2007, at
Epworth Euclid United Methodist Church on a concert of the
Cleveland Composers Guild.
WCLV FM 104.9
broadcast works of Monica Houghton on the program "Not the Dead
White Male Composers Hour," on Sunday, August 19, at 9 PM: "The
Tree Serenades," as performed by the Cleveland Chamber Collective
"; Dante's View," as performed by the Case Western Reserve
University Percussion Ensemble and "We Rise Above Our Little
Quarrels," for Vietnamese zither and bamboo flute; and on April 29,
2007: the premiere performances of "Blue Shuffle" by Don Better ,
"Ghost Temple" by the Oberlin Percussion Group, and "One Morning in
September" University Circle Wind Ensemble.
Monica's percussion quintet, "Ghost Temple," was
premiered by the Oberlin Percussion Group on April 9, 2007, at
Cleveland State University, in a concert sponsored by the Cleveland
Composers Guild, with the generous support of the Bascom Little
Fund. The Case Western Reserve University Percussion Ensemble,
under the direction of Matthew Bassett, performed "Dante's View" on
the same concert, and again on April 14th in Harkness Chapel on the
CWRU campus--the music was described by one fellow composer as
"intriguing."
Monica completed a set of eight violin duos,
commissioned by violinist Israel Heller.
Don Harry, Principal Tuba of the Buffalo
Philharmonic, performed Monica's work for solo tuba, "Mishi Peshu,"
in recital at Kilbourn Hall, Eastman School of Music, on November
27, 2006. This work also received a fine performance from Andrew
Welborn, at the Cleveland Institute of Music, on May 17, 2007.
Monica Houghton was awarded a $5,000 Ohio Arts
Council Individual Excellence Award for 2007.
Monica Houghton was named "Composer of the Year for
2007" by the Ohio Music Teachers Association, and received a
commission to write a new work for premiere at the 2007 OMTA
Convention in Columbus, Ohio.
"Erebus" is now available on CD ( AZICA #71229) under the title
"Aubade: Organ Music of Ohio Composers." Recent performances of
"Erebus" were given at St. Pauls' Episcopal Church in Cleveland on
March 11, 2007, and also in Lincoln, Nebraska, on February 4, 2007,
for the Lincoln Organ Showcase series of the Lincoln Chapter of the
American Guild of Organists, by Karel Paukert.
Monica was one of six Composer Fellows at the
Virginia Arts Festival John Duffy Composers Institute which will
took place in Norfolk, Virginia, May 15-28, 2006. Readings were
presented of two scenes from The Big
Bonanza, based in part on the life and writings of Dan De
Quille, with a libretto by Jon Christensen. Mark Twain is but one
of the colorful characters in this new American opera set in
Virginia City, Nevada, during the heyday of the Comstock Lode. For
more details on the opera, visit The Big
Bonanza area of this site.
Tuyen Tonnu was eloquent in her premier performance
of "In the Dunes" (2005), in recital on Wednesday, May 10, 2006, at
SUNY Stony Brook.
"The Tree Serenades" was heard in concert on
Sunday, May 7, 2006, on the Lloyd Max Bunker Recital Series at
Epworth-Euclid United Methodist Church, Cleveland, in a peformance
by members of the Cleveland Chamber Collective-- Mary Kay Fink,
flutes, Takako Masame, violin, Linda Atherton, 'cello and Nicholas
Underhill, piano--together with guests Sandra Simon, narrator,
Thomas Reed, clarinets, Benjamin Winters, percussion, and Andrew
Rindfleisch, conductor, for what turned out to be a sublime
rendition of this evocative work, with texts by the composer.
"String Quartet No. 1" was heard again in concert
on Tuesday, March 14, 2006, in Kulas Hall at the Cleveland
Institute of Music, with Ruth Marie Bridge and Nazig Tchakarian,
violins; Jin Yu, viola; and Micheal Kaufman, 'cello performing. The
concert was presented by Fortnightly Musical Club.
Pianist Diana Fanning gave an impressive performance of
"Sonata for Piano" (1998) at Pilgrim Church in the Tremont area of
Cleveland, on Sunday, February 19, 2006. Ms. Fanning has performed
this work at the American Church in Paris, France, and in Munich,
Germany, and in various locations throughout New England. Following
Ms. Fanning's performance in Montpelier, VT, Times
Argus arts critic Jim Lowe decribed it as "a substantial
work that is at once clearly contemporary and quite accessible. The
sonata is grand and pianistic, and made particularly interesting by
its attractive elusive tonality."
Don Better premiered his commissioned work for solo
guitar, "Blue Shuffle," on September 25, 2005, at Cleveland State
University, on a concert of the Cleveland Composers Guild. One
listener described the piece as "egoless...a string of antique
beads." Consisting of nine segments inspired by common phrases or
associations with the word "blue" (examples include "patch of
blue," "black and blue, " and "little boy blue"), neither the
performer nor the audience knows ahead of time in what order the
segments will be performed. This gives rise to a particularly keen
sense of "being in the moment" as the performance unfolds. - Download "Blue
Shuffle", (9.78 MB mp3)
"Erebus" was heard in recital at the Cathedral of
St. Bavo in Ghent, Belgium, on August 11, 2005, with Karel Paukert
performing. One listener wrote, "the piece was very well
recieved--it sounded spectacular in the Cathedral space!"
"Glancing at Flowers" received a performance on
July 27, 2005, by the Lake Superior Chamber Orchestra, under the
direction of Warren Friesen, in Weber Hall, on the campus of the
University of Minnesota, Duluth. One audience member told the
composer afterwards, "This is the kind of music I love to hear!"
The New York based ensemble "Fireworks" gave the
world premiere performance of "Dante's View," for soprano sax,
percussion and amplified string bass, in a public performance on
July 2, 2005, at Beall Hall on the campus of the University of
Oregon, in Eugene, Oregon, for this years' Oregon Bach Festival
Composers Symposium. Monica participated fully in the Symposium,
presenting three of her recent works to the more than fifty
composers assembled.
"One Morning in September," a new work for
symphonic winds based on the events of September 11, 2001, recieved
its premiere performance on February 20, 2005, from the University
Circle Wind Ensemble under the direction of Gary Ciepluch.
Referring to it as a "masterful composition, creatively and
expertly scored," Dr. Ciepluch went on to describe the work as "a
significant addition to the repertoire, effective and memorable for
the conductor, players and audience...with sounds and colors rarely
heard in a wind band piece...an exciting work most worthy of study
and performance."
"We Rise Above Our Little Quarrels," a new work for
two traditional Vietnamese instruments, dan tranh (zither) and sao
(bamboo flute), recieved its world premiere at the Hanoi Opera
House in Hanoi, Vietnam, on January 2, 2005, under the supervision
of the renowned musicologist and conductor Phong Nguyen, who said afterwards to Monica,
"People love your work!" See photos...or...Listen to
the performance (mp3 4.1 MB)
Monica's "String Quartet No. 1" was performed on
May 14, 2004, at the Shanghai Spring International Music Festival
in the Peoples' Republic of China. Monica was the sole American
composer represented on the program which also featured music by
well-known composers from Australia, Germany, France, Korea and
China. Previously in March, Monica had spent nearly three weeks
visiting at the Shanghai Conservatory as Composer in Residence. "I
was fortunate to be able to visit the world famous Shanghai Kun Qu
Opera Troupe, in addition to spending time at the Conservatory,
where I listened to student works, met many distinguished faculty,
and gave a lecture on the topic of "Finding the Form." Conservatory
students conducted a reading of a newly composed scene from The
Big Bonanza, in which the character Zhang sings of how he came
to Gold Mountain to seek his fortune in Chinese folk song style
with erhu accompaniment. Click here to see the photos!